GET
BEHIND THE MULE.
By
Tim Kress
1.
“Fuck
you, Rubin. You're a worthless piece of shit. You're no better than a
half-witted bastard son of a two-bit whore,” the old man said. He
had his hands on his bony hips as he exclaimed at his friend, but if
you'd asked him then, he wouldn't have said Rubin was much of a
friend. Rubin was always doing something like what he'd done, and the
old man just knew
he
did it to piss him off.
Rubin
had eaten all of their carrots, again. The carrots the old man
planted in four tidy little rows in the spring, and painstakingly
lugged water to every single day of the long summer. He even talked
to them when he knew Rubin wasn't looking. He did all of this work,
only to have come out that morning to see that Rubin had pulled most
of them out and eaten them.
Well,
it served him right that he was paying for it now with a stomach
ache, and the old man knew he'd litter the small yard with watery
shit in a few hours. At least he could use that to fertilize
something.
The
carrots were one of the few things he could get to grow. He didn't
even like carrots, wouldn't have eaten them in the old life, but
these were of a variety that had the special ability to grow in the
dead clay, and to take on the alkaline flavor of that clay. They were
as much like the carrots of the supermarkets of the old man's youth
as Rubin was like a thoroughbred stallion. He'd found that if he
boiled them, grilled them over an open flame, thoroughly cursed at
them, and then used all of his imagination while eating them, he
could get them down without throwing up too much.
He
kicked Rubin in the side, but he was so weak that Rubin only twitched
his pointy ears, and let loose a flow of thin, wet shit directly onto
one of the old man's boots. The old man pulled on his long beard with
one hand, and took his hat off.
He
crushed his dusty hat between both hands. “You'd better watch out,
Rubin. If I go hungry this winter, I'm liable to eat you.”
He always said things like this, but Rubin had been with him as long
as he'd been living in the wild, and the both of them knew nothing of
the sort would happen.
Not
that he could remember how long he'd been living in the wild anymore.
The day he'd finished building his mud hut he'd eaten a
double-fistful of cactus buttons, took his clothes off, and devised a
complicated ceremony that centered around the smashing of his watch.
In the following days, he'd spent all of his free time weeping like a
small child, because the watch had been gifted to him by his father
on the day he'd received his doctorate in advanced quantum physics.
He used to keep count on the wall of his hut, but he'd gone through a
number of months-long bad spells where he couldn't remember his own
name, let alone to tick off a mark to count the passing of another
day.
Muttering
curse words to himself, the old man walked to the bottom of the hill
he lived on, to the pond that served as his laundry, bath, dish
washing spot and sometimes– when he forgot himself– his toilet.
He stuck his busted boot in the dank water, shook it around until all
of Rubin's shit was off. Then he went to the other side of the small
pond, where he figured the water was still clean, and cupped a few
handfuls into his mouth.
He
walked back up the steep hill, passed Rubin and the mud hut they
shared, and clambered to the top of the hill. All those uncounted
years ago, he'd chosen this hill because it was the tallest around,
and it afforded an unrivaled view of the surrounding country.
By
the time he got to the hill's sharp pinnacle, he couldn't remember
why he'd come there, but then he saw Larry, and it didn't matter
anymore.
Larry
plucked a cloudy eyeball from the stag he'd been working on the last
couple of weeks. He tilted his head back, looked at the old man, and
swallowed the eye whole.
“Ahoy,
Laurence,” the old man said. “How's it hanging there, old buddy?”
When
Larry squawked his greeting, the old man thought it sounded a lot
like, “'Ware!” which was all that crazy Larry ever said.
Larry
flapped his black wings and took off from the hill, and the old man's
eyes followed him into the horizon. Then he remembered the reason for
his daily climb to the top of the hill. The sun was in his eyes, so
he put his hat back on, and looked east. His eyesight wasn't what it
used to be, so he took his 'scope from the belt at his wast, and
looked through it.
The
hazy cloud was still there, dark at the edges, a sickly blood red
where the setting sun shined through it. All through the last year or
so, he'd been sure the cloud was finally thinning, and tonight he saw
something that proved his theory. He could see the shapes of
derelict, woebegone skyscrapers through the haze of the toxic
atmospheric phenomenon.
He
lowered the 'scope from his eye, and– after making sure he was
alone– danced a fitful jig. He even sang the few lines from the
only song he could remember from his childhood.
“Hey,
mumble mumble, what did you kill, what did you kill.”
2.
The
next day, the old man made his apologies to Rubin, because he
couldn't take the tension. It'd been palpable in the hut the night
before, and he'd had a hard time sleeping, no matter how much of his
homemade berry-wine he drank.
Atop
the hill that day, he could see yet more of the cursed city through
the cloud, and he told Larry that it was probably time to start
getting ready to make the trek to the city. He thought that Larry
asked if he could go too, and he told him that, yes, he could.
He
returned home and got piss eyed drunk.
He
made a meal of the few stunted carrots Rubin had left him, and one of
the last cans of beans. By the time he finished his meal, he'd drunk
so much wine that he could hardly see. He decided that this was the
best time to trim his beard, but he couldn't find his knife. He tried
to use a rock, but the only one he could find without standing up was
round and smooth, and he couldn't get it to work. He threw it at
Rubin, but it went wide, and all he got for his troubles was a
highfalutin look of disdain from his silent friend. He muttered
something at him about the folly of putting on airs and fell over.
He
fell asleep in the weak sun, and was woken up nearly fourteen hours
later by the first heavy rain he'd seen since he'd moved to this
hill. It'd rained plenty before this time, but it'd been short, weak
showers that only served to keep his nasty pond filled, and hardly
enough to keep the clean one that was further up the hill half full.
The
heavy raindrops were battering his hill with such unrelenting
ferocity that for many moments, he could only watch in silent horror
as his hut was washed away.
He
got up, fell back down, got back to his knees and hands, and threw
up. Rubin came over to him, and licked up the puke before it could be
washed away by the rain. The old man used Rubin's bony, but sturdy,
body to pull himself up, and when he felt like he could walk, he went
to the rapidly disappearing hut. He grabbed his few belongings, and
stuffed them in the deer hide saddlebag he'd made years ago.
His
gun belt was already in the bag, along with the double handful of
bullets he still had, so they were dry. He lifted up the dirty pallet
that served as his bed and grabbed the contamination suit and gas
mask, still in the shrink-wrapped package he'd brought them in, and
stuffed that into the bag as well.
Not
even a little part of him was ready to make this trip. He'd been
waiting for that noxious cloud to lift for longer than he'd waited
for anything in his life, but now that the time was here, he found it
damn near impossible to make himself start the journey. He tried,
time and again, to come up with a good enough excuse that would let
him stay, but all of his excuses were as weak as his stomach. Plus,
he thought, if he stayed he'd have to rebuild his hut, and the
prospect of doing that was depressing, and threatened to make him cry
again.
He
was sick of crying, a daily– and sometimes hourly– occurrence
that, when he thought about the frequency of it, he cried. In his old
life– before the cataclysmic events that forced him into the wild–
he'd been nearly robotic in his emotions, and now he was no better
than a woman in perpetual hysterics.
He
exhaled through his five remaining teeth, made a slow rotation to
survey what was left of his home to see if he'd remembered
everything. Once and for all, he resigned himself to departing from
his home on the hill.
The
rain came to an alarming and sudden stop as the old man stepped out
of what was left of his hut. The downpour made the surface of the
hardpan slippery, so he had to tread with great care, lest he
misplace his footing and tumble down the side of his hill. He went to
Rubin, who hadn't had the good sense to get out of the rain, and put
his bridle on him for the first time in years. He was glad his mind
hadn't failed him to the degree that he couldn't remember to keep the
headstall, bit, and reins well oiled. In fact, it was the only thing,
besides looking at the distant city, that he did that could be called
routine. Every month, when the green moon was at Her fullest, he'd
take out Rubin's bridle, and rub all of it down with oil from a large
can of lard, which– if he'd not decided to leave– would have
lasted him until he died.
He
left Rubin where he was, and went to his clean pond to fill all three
of his plastic gallon containers with water. These he took back to
Rubin, and after running a length of stout twine through their
handles to connect them, he slung them over Rubin's narrow back,
along with the saddle bag.
Since
it was no longer raining, he removed his gun belt from the saddle
bag, and secured it low on his waist, tying each of the long leather
cords at the end of the holsters around his bony thighs. Then he
gathered the bullets from the bottom of the saddle bag, put twelve of
them in each of his gun's large cylinders, and put the rest in the
loops on the belt.
“Well,
Rubin,” the old man said. “Shall we, old friend?” He took the
reins and the two of them set off down the hill.
3.
Two
days later, they were still closer to the hill than the city. In the
distance, the old man could see a road. He knew it to be the old
highway he'd used to leave the city, and was surprised to see it. He
entertained the novelty of walking on an honest-to-goodness road but
ultimately decided against it. Instead, he just kept to his course
through the harsh desert.
He
was so focused on the city that he never looked behind him with much
diligence, and had forgot that Larry even existed, so he didn't see
him flying high in the sky some way behind them.
For
the majority of the two days of traveling, he'd walked alongside
Rubin in a contemplative silence. But on the third morning, he woke
in better spirits– despite having not eaten much more than a few
bugs he'd found under a bush since his meal of muddy carrots on his
hill. When they were once again on their way, he broke his study in
taciturnity, and put together the longest string of sounds he'd done
in ages:
“Now,
Rubin,” he said. “I've never told you any of this, because it's
something I don't like to talk about. Hell, I'm downright ashamed of
it, but I feel like you should know about it before we get to the
city, so you aren't too surprised by the state of it.”
He
fell silent once again, but this time it was only to gather his
thoughts– rather than run from them.
Finally,
he said, “I was the head of a brain-trust, a sort of scientific
community, in the city. Our goal was to find a new source of energy,
because all of the old ones were dead and gone. Fossil fuels were a
distant memory. Wind was proving to be as unreliable as solar,
because the big war ruined the weather to such a degree that we'd go
months with heavy, dirty clouds that wouldn't give up their rain.
They just hung in place, because the winds were mostly gone, casting
whole sections of the country in deep twilight, even at noon.
“When
those bastards from the other place invaded our planet, they used
their strange weapons to wreak havoc on everything from the migratory
patterns of Canadian geese to the weather system. “The hardest
part of that to stomach was we couldn't communicate with them, so we
never knew why they did it. So, we fucking killed all of them, using
their own weapons and technology! It was called glorious by all of
the talking heads on the television– those automated holographic
robo-porters– and I was in total agreement with them. We were
wrong, all of us. We just made the problems they started worse by a
factor of three hundred twenty seven point three one four.”
This
was the most he'd talked since before he left the city, and also the
clearest his mind had worked since then, but he was too concentrated
on his story to notice.
“I
happened across some declassified papers by a centuries dead
Serbian-American scientist, and I got my idea from him. I would draw
all of the energy we needed from the atmosphere. We'd take it from
the Schumann Cavity, from the planet's massive store of static
electricity. See, the Cavity resonates at eight cycles per second,
and... But wait, why am I bothering you with the details? You don't
care, do you Rubin?” A desperate little laugh escaped his lips, and
he gave Rubin an affectionate scratch behind one of his pointy ears.
“We
ultimately failed because my partner and I decided to amplify the
power input-output ratio with a combination of resonant sound
technology– taken from one of the invader's gadgets– with a kind
of warm fusion we found in the more deadly versions of their weapons.
To say we didn't understand the full implications of what were using
is a grave understatement. But that didn't matter; times were
desperate, and we were all products of our times, if nothing else.
And we went ahead with it.
“We
built a tower taller than the tallest of the buildings in the city,
and the very day of its completion, I pushed
the button that started the sequence that would undo the very fabric
of reality.
“We
thought it didn't work, because nothing happened. In fact, the
supercomputer that controlled everything sort of shorted out, and we
all went home that night frustrated as fuck-all.
“I
was living in a penthouse provided by the good citizens of the city,
based on the fact that I was their last great hope for a future. I
went there that night, after an evening spent in the bar with my
associates, commiserating over our failure. Not ready for sleep just
yet, I turned on the television, and saw on the news that in the city
center– at the site of our experimental tower, in fact– a
catastrophic event was taking place.”
The
old man had to stop talking at that point, because the tears were
threatening to come again, and he didn't want that. He was determined
to tell this story, his
story,
without devolving into the sniveling, horrible mess he'd spent these
last years as. So he bit the tears back, but with great effort.
Still, he was a while in continuing his story. He just kept putting
one foot in front of the other– only altering his course when a
cactus or shrub got in his way– and thinking of that disastrous
night.
When
he felt like he could go on, he said, “Right above our tower, a
schism was opened. It was leaking a noxious cloud that was killing
everyone who was unlucky enough to get in its path. Besides the
steadily mounting death toll, it's path was the most disconcerting
part of all, because by it's path, one could surmise that the fog was
sentient. I was never given to understand what
it
was, but I guessed– and my guesses have always been spot on– that
by using a technology alien to us, we opened a tear in space-time,
and let an evil intelligence through.
“I
decided then and there to get the hell out of the city.”
For
the first time in days, Rubin turned his head a fraction of a inch to
the right, and looked the old man in the eye. He only looked at him
for a moment, but it was enough to make the old man say, “Yes, you
bastard, I know it! Don't think I don't! I'm a coward! I always have
been, and I always will be!”
And
after that, he'd say no more, wouldn't talk about his frenzied escape
from the riotous city, nor about finding Rubin at the edge of the
city zoo, freed from his cage in the chaos after the cataclysm.
4.
The
very next day, the starving old man and his mule finally came to the
edge of the city. The deepness of the day's dusk was enhanced by the
long shadows the buildings cast.
The
city wasn't like the cities from the old man's youth. It didn't have
suburbs and outlaying areas; it just started like some mad god had
placed a metropolis in the middle of the desert, and decreed that no
more would be added to it. He knew that wasn't what really happened,
that the city was all clumped together because trends in how people
lived had changed drastically in the aftermath of the invasion and
the war. No more was the need for single family homes and wide
expanses of low laying buildings. No, in the time of this once-great
city, due to the lack of any reliable and plentiful energy sources to
power transit, the people who built it had to learn to be content
with living and working in an extremely tightly-knit city, large
though it was.
In
the hours after his conversation with Rubin, leading up to his return
to the city, the nearer the city he became, the more his brain
restored itself to the more comfortable, fractured state it had
enjoyed in the wilderness. It was because of this that he hadn't
given the city as much scrutiny as he could– and should– have
done.
And
for this reason, as soon as he stepped into the city, he saw a sight
that stopped him in his tracks.
The
mountainous towers weren't abandoned and crippled, as he'd expected
them to be. Instead they were whole and clean. What confounded him
even more were the lights. And the cars. He hadn't seen a car since
he was a young man, but when he noticed them, he realized that he was
in the middle of a road, and in traffic. When he had an opening, he
moved to the sidewalk that bordered both sides of the road, and went
on looking at the living city. His mouth was open so far that one of
Rubin's fleas jumped into it, but he was to confused to notice.
After
what could have been ages, Rubin pushed the top of his head into the
back of the old man, making him stumble and waking him from the
stunned state of non-thought. He saw people walking past him on the
sidewalk, people in the stores and restaurants that were along that
sidewalk. He was murmuring to himself, unintelligible strings of
half-thoughts and conspiracies that came out of his mouth quiet and
wet with spittle. He couldn't understand why there were people
walking around a city that should have been dead, as if the great
cataclysm had never happened. The further he walked into the city,
the more dense the crowds became, and he gradually noticed that he
was drawing their attention.
Though
he was the only one with guns strapped to his hips, and a mule at his
side, he thought they
were
the strange ones. They had formed a group around him, and seemed to
be genuinely concerned about him. The people that he remembered from
his days in the city wouldn't have done that; they'd have averted
their gazes and gone on their way.
5.
One
of them approached the old man, asked if he was lost, if there was
anything that could be done for him. This person was the very
definition of cordiality, and he spoke the same language as the old
man, but nonetheless, the old man pulled the large gun at his right
hip, and told the man to get away from him. He said it without
raising his voice, but there was such menace in his voice that the
polite gentleman wasted no time following the old man's directions.
When
he pulled his gun, the curious group of people that had formed around
him took a number of steps back, some even screaming in fear.
“Who
the hell are you people?” he asked. When none of them answered, he
said, “Oh, I know. You're from the other place, aren't you? I
thought we'd finished you off, but I guess we were wrong.”
And
in a quieter voice, he said to Rubin, “Perhaps they came through
the schism I made with my experiments. Or mayhap, when that cloud of
gas killed all the people, they decided they could come here, live in
our land. And look at 'em, they're so fucking crazy they're wearing
masks so they can look like us. I can't believe this. I shouldn't
have come here, and I knew it. This is all my fault.
“No,
it's not. How could I have known? I was to be the savior of this
city, its last great hope. How could I know what would happen?”
With
every word he spoke, his voice raised a fraction of a decibel, until
he was screaming at the top of his lungs, so loud that blood from his
torn vocal chords was con-fused with the slobber and spit that came
with the plosives he shouted.
He
drew his other gun, and waved both of them randomly at people, cars,
windows and whatever caught his eye. He yelled, “Impostors!
Charlatans and beguilers, all of ye! Ye will pay for yer sins. Though
I be the last of my kind on the whole of the planet, I shall–”
He
was interrupted at that moment when, with a flutter of his
shadow-black wings, Larry landed on a newspaper box. His head
twitched rapidly from side to side a few times, then he looked at the
old man.
In
the voice of the man's father, Laurence said, “That's enough,
Enoch. Let these people be, this instant. You're making a fool of
yourself, and you're embarrassing your mother.”
6.
In
a fluid-quick motion that amazed the people around him, the old man
brought the ancient, long barreled pistol in his right hand to
shoulder height. He said, “They've got to you too, Father.” He
then took a shot at the raven that only he could see, the bullet
tearing into a bystander's arm.
In
the same aqueous, quicksilver motion, eyes ablaze with an eerie ghost
light, Enoch the Traveler took a bead on his only friend on this
lonely planet.
As
he pulled the trigger, he said, “With love only, my friend.” The
bullet exploded from the shining gun, and hit its mark with a
mathematical procession unknown on that world, cleaving the mule's
brain in twain.
A
ferocious roar erupted from his lips, shattering glass in a parabolic
wave of destruction for no less than three city blocks, though it
left the watchers unscathed. He raised a barrel to each temple, and
swung his head back.
Looking
at the toxic cloud that he could still see, high above the
skyscrapers, he said, “Please. Forgive me.”
And
he pulled both triggers.
--------------------------------------
©2011 Tim Kress

Get Behind The Mule by Tim Kress is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

0 comments:
Post a Comment